$B>pJs=hM}3X2q(B $B2;3Z>pJs2J3X8&5f2q(B 2003-MUS-50
$BAa$$$b$N$G!$>pJs=hM}3X2q$K2;3Z>pJs2J3X8&5f2q(B (SIGMUS) $B$,H/B-$7$F(B10 $BG/(B $B$,7P2a$7$^$7$?!%$=$3$G!$$3$l$+$i(B 10 $BG/$N(B SIGMUS $B$r;Y$($kJ}!9$K8~$1$F!$(B $B!VC/$bD0$$$A$c$$$M$(!W$H$$$&$$$+$K$bE($r:n$j$=$&$JBj$G$h$jNI$$(B SIGMUS $B$r:n$kOCBj$N0lC<$rDs6!$7$F$_$?$$$H;W$$$^$9!%(B
No one listens to it
IPSJ SIGMUS 2003-MUS-50
It has been 10 years since the Special Interest Group on Music (SIGMUS) was established. Time flies like an arrow. Then, for those who will develop SIGMUS for this coming 10 years, I would like to just provide a starting point for managing SIGMUS better with the title ``No one listens to it'', which likely arouses someone's antipathy.